“太阳快照到乔治教堂的尖顶了”（上卷，p.138）的6月16日早晨，老城区到处都是开始漫游的乔伊斯书迷，满城致敬乔伊斯。
漫游也是失去根和土地的犹太人最有象征性的思想方式与生活方式吧。现在，从全世界各处来的人们跟着布鲁姆游荡。人们心中的这种认同，大约就是当年的海德格尔最害怕欧洲发生的事，也是他作为弗莱堡大学的校长最终从世界观上认同希特勒政治的思想根源。海德格尔认为，犹太人的这种失根的感受，会随着工业化的进展成为世界性的思潮；这种抹煞地域性的普世思潮，最终会导致一种全球统一化的精神和价值观，这种抹杀了民族与地域特色的全球性，会摧毁本来丰富多彩的世界。
而像我这样的中国作家，十九岁时开始接受意识流的创作手法，就如接受整个失而复得的世界那般，无条件接受；在6月16日的都柏林街头，更是漫游在自己喜爱的意识流写作手法之中。
On the morning of June 16when “the sun was nearing the steeple of George’s church”Joyce fans were seen wandering everywhere in the old town,in a city that saluted James Joyce on that day.
Wandering is perhaps a state of being most emblematic of the intellectual experience and physical conditions of uprooted and landless Jews.People came from around the world to emulate Bloom and wander in the town.Such empathy was probably what Martin Heidegger once feared most for Europe and the fear eventually prompted him,as rector of the University of Freiburg,to identify with Hitler's ideology and worldview.Heidegger believed that the rootless feeling of the Jews would become a universal sentiment as a result of industrialization that would make contexts and worlds fade and uniform spirit and values rise.Such global onslaught to national and regional differentiations would ultimately destroy the once diverse and colorful world.
I,a Chinese writer who began to embrace the stream-of-consciousness at the age of 19,as if unreservedly letting myself into a world once gone,yet regained,now found myself wandering in the streets of Dublin on June 16,or rather in the labyrinth of the stream-of-consciousness that I so cherished.
一、黄铜牌子上的布卢姆
乔伊斯塔里的铜牌被含盐的潮湿海风腐蚀锈了，而都柏林老城里的铜牌却被无数双穿夏日凉鞋或者浅色皮鞋的鞋底摩擦得金光锃亮。
小说中的第四章，另一个主角布卢姆出现在故事里的都柏林老城。在埃克尔斯街他的房子里忙活了一阵，这位住在都柏林的匈牙利犹太人准备出门。如今，2013年，传说中布卢姆家的房子正在维修；所以，在工地墙外的隔离布上，也早早为今天印好了第四章里的那句话：“他站在门口的台阶上，摸了摸后裤兜，找大门钥匙。”（上卷，p.137）写作《尤利西斯》时代的詹姆斯·乔伊斯戴着罗恩老师昨天戴的同款眼镜，出现在他自己写的一句句子上方。
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